Memoir

  • M Train

    Patti Smith

    Image of M Train

    “It’s not so easy writing about nothing.” As M Train opens, Patti Smith enters a dream set in an isolated landscape, trying to get the attention of a cowpoke, “vaguely handsome, intensely laconic.” He ignores her and claims her dream as his own before declaring, “The writer is a conductor.” The book proceeds through eighteen “stations,” rather than chapters, though its linearity remains dreamlike, touching on themes of solitude, grief, and the creative process.

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  • Hunger Makes Me a Modern Girl

    Carrie Brownstein

    Image of Hunger Makes Me a Modern Girl: A Memoir

    In the summer I read Kim Gordon’s memoir, Girl in a Band, and struggled to write anything about it. The book is broad and scattered, attempting to establish Gordon’s roots as an artist while also covering basically every side project she took on while she was the bassist for Sonic Youth for twenty years. She seems to write the least about her experiences in the band, even insisting she doesn’t primarily consider herself a musician.

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  • Hammer Head

    Nina MacLaughlin

    Image of Hammer Head: The Making of a Carpenter

    Reading this immediately after Frank Bruni’s memoir, in which he is so open about his life, Nina MacLaughlin seems very guarded in comparison. She has some funny and touching stories to tell about leaving a career as a journalist to become a carpenter, responding to a Craiglist posting almost on a lark, but while she attempts to make clever literary statements by referencing other texts and going into the etymologies of terms, something seems off about her approach.

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  • Born Round

    Frank Bruni

    Image of Born Round: A Story of Family, Food and a Ferocious Appetite

    Frank Bruni is best known for the five years he spent as restaurant critic for The New York Times, but while this memoir is very food-focused, only a sliver of it is about his tenure in that position and funny stories of his challenges in dining incognito.

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  • Still Life with Oysters and Lemon

    Mark Doty

    Image of Still Life With Oysters and Lemon: On Objects and Intimacy

    Most often classified as a memoir, Still Life with Oysters and Lemon feels like a novella-length personal essay that starts with Mark Doty’s interest in 17th century Dutch still-life paintings and moves through an elegiac exploration of objects and intimacy. It’s surprisingly expansive for its length, and Doty manages to suggest a lot of detail in his descriptions and narratives.

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  • Commentary

    Marcelle Sauvageot

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    Some ballads begin as your letter does: ‘You, whom I’ve loved so much…’ This past tense, with the present still resounding so close, is as sad as the ends of parties, when the lights are turned off and you remain alone, watching the couples go off into the dark streets. It’s over: nothing else is to be expected, and yet you stay there indefinitely, knowing that nothing more will happen.

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  • A Field Guide to Getting Lost

    Rebecca Solnit

    Image of A Field Guide to Getting Lost

    I last read this book nearly six and a half years ago; when my friend Eleanor brought it up recently to share a quote from it someone had passed on to her, it felt like perfect time for a re-read. In those six odd years, I’ve read several of Solnit’s books and have come to appreciate her particular way of getting at a subject, where bits and pieces of anecdotes and research fuse together into a nuanced perspective.

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  • The Faraway Nearby

    Rebecca Solnit

    Image of The Faraway Nearby (Ala Notable Books for Adults)

    I expect even some of the most stalwart of Solnit’s fans would not consider this her best book, as it seems a bit scattered, though it’s similar in general feel to A Field Guide to Getting Lost. Its “Russian-doll” structure functions less like burrowing deeper into the complexities of a difficult period of her life and more like the tide retreating away from solid ground only to flow back in. Yet for me the timing of this book was uncanny, as I kept finding topical moments throughout.

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  • Joseph Anton

    Salman Rushdie

    Image of Joseph Anton: A Memoir

    Recounting nine years of living in protective custody after the Ayatollah Khomeini sentenced him to death, Rushdie’s memoir is befittingly hefty at over 630 pages. About three-quarters of the way into it, the tediousness of his ongoing fight to live freely comes through all too clear.

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  • The Gentrification of the Mind

    Sarah Schulman

    Image of The Gentrification of the Mind: Witness to a Lost Imagination

    As with most historical traumas of abuse, the perpetrators — the state, our families, the media, private industry — have generally pretended that the murder and cultural destruction of AIDS, created by their neglect, never took place. They pretend that there was nothing they could have done, and that no survivors or witnesses are walking around today with anything to resolve.

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