Non-Fiction

  • The Empathy Exams

    Leslie Jamison

    Image of The Empathy Exams: Essays

    The essays in the book range widely in scope, from very personal to more critical to more journalistic, though a theme of understanding others’ pain loosely lassos them together. Often this manifests as her own attempt to understand, like her profile of people with Morgellons Disease, who believe that fibers are expelled from their skin and become so obsessed with the delusion they end up isolated from feeling so misunderstood. She wants to understand them, even though it’s so difficult to believe.

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  • Ordinary Affects

    Kathleen Stewart

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    Everyday life is a life lived on the level of surging affects, impacts suffered or barely avoided. It takes everything we have. But it also spawns a series of little somethings dreamed up in the course of things.

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  • Regarding the Pain of Others

    Susan Sontag

    Image of Regarding the Pain of Others

    I’m on a laid-back mission to make my way through Susan Sontag’s oeuvre, and this in particular has been on my active reading list since I finished On Photography several years ago. It turned out to be a rather prescient selection, as shortly after I finished reading, tensions broke open again across Israel and Palestine, making the ideas here profoundly timely.

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  • White Girls

    Hilton Als

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    Just after I started reading this book, I had a conversation in which someone said that inaccessible art can’t possibly be good art, with a side note about how some people may appreciate art solely because they can’t immediately understand it as they assume it’s smarter than they are. The discussion partially came from me describing my struggle through The Luminaries, not entirely enjoying it, but finding the structure of it compelling from a technical standpoint.

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  • Reality Hunger

    David Shields

    Image of Reality Hunger: A Manifesto

    You know you’re in for some bold and broad declarations when a book starts off, “Every artistic moment from the beginning of time is an attempt to figure out a way to smuggle more of what the artist thinks is reality into the work of art.”

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  • A Field Guide to Getting Lost

    Rebecca Solnit

    Image of A Field Guide to Getting Lost

    I last read this book nearly six and a half years ago; when my friend Eleanor brought it up recently to share a quote from it someone had passed on to her, it felt like perfect time for a re-read. In those six odd years, I’ve read several of Solnit’s books and have come to appreciate her particular way of getting at a subject, where bits and pieces of anecdotes and research fuse together into a nuanced perspective.

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  • Against Interpretation

    Susan Sontag

    Image of Against Interpretation: And Other Essays

    From now to the end of consciousness, we are stuck with the task of defending art. We can only quarrel with one or another means of defense. Indeed, we have an obligation to overthrow any means of defending and justifying art which becomes particularly obtuse or onerous or insensitive to contemporary needs and practices.

    This is the case, today, with the very idea of content itself. Whatever it may have been in the past, the idea of content is today mainly a hindrance, a nuisance, a subtle or not so subtle philistinism.

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  • The Faraway Nearby

    Rebecca Solnit

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    I expect even some of the most stalwart of Solnit’s fans would not consider this her best book, as it seems a bit scattered, though it’s similar in general feel to A Field Guide to Getting Lost. Its “Russian-doll” structure functions less like burrowing deeper into the complexities of a difficult period of her life and more like the tide retreating away from solid ground only to flow back in. Yet for me the timing of this book was uncanny, as I kept finding topical moments throughout.

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  • Joseph Anton

    Salman Rushdie

    Image of Joseph Anton: A Memoir

    Recounting nine years of living in protective custody after the Ayatollah Khomeini sentenced him to death, Rushdie’s memoir is befittingly hefty at over 630 pages. About three-quarters of the way into it, the tediousness of his ongoing fight to live freely comes through all too clear.

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  • All Things Glorious and True

    Kat Asharya

    Image of All Things Glorious and True: Love Letters to Pop Culture, New York, Fashion & Other Objects of Affection

    I met Kat back in zine times, when people made friends through trades and letters, and those friends were often a combination of allies, collaborators, and maybe even the cool cousins you might not have had in your given family. As such I distinctly remember getting one of Kat’s zines and going to rent Breathless because she used stills from the film as background art — a quietly expansive moment in my film appreciation history.

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