Angela Y Davis
This slim collection of interviews and speeches covers some similar ideas in diﬀerent contexts, and while I had a little wish that these had been reworked into one super essay, it’s also no big deal to revisit comparable concepts a few times when they are so signiﬁcant. Plus it’s fascinating to get a sense of how Angela Davis structures a talk. A preeminent scholar, activist, and general bad-ass person, the connections she makes between the protests in Ferguson in 2014 (and on) with the ongoing ﬁght of the Palestinian people are crucial. It’s not just that the systems of oppression are alike, but that the militarism of the police forces in the US overall is directly tied to the...more
The premise of this slim oﬀering is contained in one of the 300 snippets: “Think of this as a short book composed entirely of what I hoped would be a long book’s quotable passages.” While I deﬁnitely found some quotable moments in the quotable passages (which is kind of funny!), it didn’t really work for me as a book; it just didn’t feel crafted. Some of the “arguments” are funny or sardonic, some feel rather profound, while others strike me as throwaways. The trouble is the ones that do sound like a long book’s quotable passages just beg for the rest of the book, and the rest are fragments for the sake of the premise.
This one suggests it...more
Hope locates itself in the premises that we don’t know what will happen and that in the spaciousness of uncertainty is room to act. When you recognize uncertainty, you recognize that you may be able to inﬂuence the outcomes — you alone or you in concert with a few dozen or several million others. Hope is an embrace of the unknown and knowable, a alternative to the certainty of both optimists and pessimists. Optimists think it will all be ﬁne without our involvement; pessimists take the opposite position; both excuse themselves from acting. It’s the belief that what we do matters even though how and when it may matter, who and what is may impact, are not things we can know beforehand....more
My friend Athena wrote a review of this essay on “the fear of narcissism” that suggested the writing fell a bit ﬂat to her at the end. I suppose I shouldn’t be surprised that I wound up feeling almost exactly the same way. A brief history of clinical and cultural understandings of narcissism, with sections focused around concepts like The Bad Boyfriend, The Millennial, The Murderer; the turning point is The Artist, where the focus shifts to Dombek’s self-reﬂection. As Athena said, it was perhaps intended as “some kind of experimental practice of writing as a selﬁsh/other-centric dialectic,” but I was disappointed that everything built up to be so personal, self-centered. But it’s appropriate within the essay’s lens of...more
Alex Mar ﬁrst met the witch Morpheus while making her documentary American Mystic, about three people on the fringes of organized religion. After ﬁnishing the ﬁlm, she felt a personal curiosity about witchcraft and paganism and continued speaking with Morpheus; through her she connected with other witches to dig further into the occult world, and Witches in America is mostly the document of that process.
While it may sound broad and encompassing by its title, the scope is narrowed by her ﬁrsthand experiences and the speciﬁc paths her interests outlined. She covers a fair amount of historical background of how modern paganism was revived beginning in the 1970s, but the book uncomfortably straddles anthropology and memoir realms. It...more
While mainly written for writers of ﬁction, The Half-Known World is almost like a literature class in a book, as each chapter references certain novels or stories, indicated at the beginning, though reading them is also not necessary to understand the concepts presented in the essays. I hadn’t read most of the referenced pieces, or hadn’t read them recently, but can see how that may have elevated the experience.
The ﬁrst few essays are really great, but the themes feel less profound as the book progresses. Boswell’s theory of “the half-known world” in the opening essay is that writers can try to know too much about their characters and scenes at the outset, to the point where the writer has...more
Still powerfully resonant today, James Baldwin’s The Fire Next Time was one of the most inﬂuential books about race in America in the 1960s. It is tough to read this now and note how little has changed and easy to understand why this book inspired Ta-Nehisi Coates’s Between the World and Me and The Fire This Time, a recent book of essays edited by Jesmyn Ward. The book is comprised of two essays: ﬁrst, “My Dungeon Shook,” the well-known letter to Baldwin’s nephew on the 100th Anniversary of the Emancipation Proclamation; and second, “Down at the Cross,” another longer letter addressed generally that focuses largely on race and religion, including Baldwin’s experience as a Christian preacher and later...more
Alexandra Styron is the daughter of William Styron, the novelist best known for Sophie’s Choice and The Confessions of Nat Turner. Her book Reading My Father is part memoir and part biography, focusing at times on her experience growing up with a well-known writer as a father, and at other times providing a straightforward narrative of his life. Every so often it gets meta and zooms in on Styron’s research of her father while writing this book, ﬁnishing with a few chapters that detail his long decline in health related to two episodes of severe depression and his long-time alcoholism. All these diﬀerent parts are interesting individually, but they don’t entirely cohere.
Though the general conceit of...more
“A memoir of a political childhood,” Saïd Sayraﬁezadeh writes of growing up as a child of an Iranian father and a Jewish mother who are members of the Socialist Worker’s Party. His parents separated when he was very young, so for most of his early years, his father was absent ﬁghting for the revolution, while he stayed with his mother attending party meetings and selling The Militant on street corners. It’s an intriguing look at how political ideology can be confusing to a child, as when Sayraﬁezadeh doesn’t understand why he can’t eat grapes during the 1965 boycott in support of striking workers. Eventually his mother relents, to a degree, by encouraging her son to eat them in the produce...more
It felt appropriate to read this directly after Annie John since they are both beautifully spare books about diﬃcult mother and daughter relationships, although they are very diﬀerent stories beyond that. Twenty years after the death of her mother, Kathryn Harrison weaned her third child, setting oﬀ a depression with unclear origins. She begins to unearth feelings and experiences from her past — eventually in a very literal manner. Her mother had essentially abandoned her to her grandparents when she was a child, going so far to phrase it as providing Harrison as a stand-in hostage for her parents to control, although this hadn’t turned out quite as her mother planned. Inevitably Harrison’s experience of being a mother pulled her back...more