I’d been reading this book oﬀ and on for about six months, having gone through a few periods of being too distracted to read, before I decided it was time to hunker down and ﬁnish it.
It’s a bit tough in the beginning since the best character tragically exits the scene in the ﬁrst section, and there is a bit of a grieving period. It takes a while to see what the other characters have to oﬀer — through their raw, often ugly emotions — and then by the time you get behind them, there are layers of betrayals to contend with at the end.
There is so much in here, I’m sure I will read this again eventually. I think it’s more of...more
Comparisons to W. G. Sebald alone sold me on this debut novel from this Nigerian-American writer. His character Julius also grew up in Nigeria and now lives in New York City practicing psychiatry; in his spare time he wanders the city (and at times travels to other cities to wander) in contemplation, revisiting events from both near and distant pasts of his own and sometimes his patients’. It’s a story with a light plot, and I imagine all the meanderings are elevated with a decent understanding of the Manhattan landmarks. At least I felt more attuned to places I could picture from my own memory.
Julius is kind of frustrating character because it seems sometimes that he is too passive...more
I was around the corner from my usual library branch when I ﬁnished The Stranger’s Child and felt that I should get another book in my hands promptly. Since reading Let Us Now Praise Famous Men last year, I’d never oﬃcially added this to my reading list, but it was on the right shelf at the right time.
Agee died of a heart attack while writing this book, so Agee’s protégé David McDowell edited together pieces of manuscript into a novel and published the novel posthumously. About three years ago English scholar Michael A. Lofaro published a new version aiming to more accurately represent Agee’s intentions — largely by making the story chronological. This seems kind of funny since...more
I haven’t read any of Hollinghurst previous novels, but I’ve been told they involve contemporary gay men having lots of sex, and therefore you may not feel comfortable reading them on the subway. At his Bookcourt reading forThe Stranger’s Child, he used the phrase “uncharacteristically restrained” in response to a question about the lack of detailed action on the pages of this book. But there is plenty going on between the chapters and sections and after a while that becomes the point.
The story begins just before the outbreak of WWI and focuses on two families who initially come together when two Cambridge students meet and start a secret aﬀair. Cecil Valance is a rather mediocre poet who...more
The most frequent comment I see about Jim Shepard’s writing is that he attacks such a wide variety of worlds, in terms of places and places in time. It seems to go against the “write what you know” commandment passed down to aspiring writers, except each story feels convincingly accurate; he is apparently able to research well and therefore know more than the average person. In this collection among the oﬀerings the characters include is a “black world” operative at Los Alamos, a soldier on Papua New Guinea during WWII, the creator of Godzilla, the French child serial killer Gilles de Rais, and a group of Polish climbers attempting a winter expedition in the Himalayas.
My favorite in...more
By writing about myself in the ﬁrst person, I had smothered myself and made myself invisible, had made it impossible for me to ﬁnd the thing I was looking for. I needed to separate myself from myself…
Paul Auster is one of those writers with one extremely well-known book — most likely you’ve read The New York Trilogy, if you’ve read anything, and nothing quite compares to that. This one is pretty good, centered around a poet who is a student at Columbia in the late 1960s who gets involved with a questionable fellow from France who wants to fund him to start a magazine. There’s a section set in Paris, several diﬀerent narrators working in diﬀerent modes (ﬁrst, second, and...more
A bit too elegiac of a novel for the early summer, Austerlitz is still worth any potential struggles in making it through the endless paragraphs — at times as much as twenty-ﬁve pages long. The character, and really the voice of the book, Jacques Austerlitz meets the nameless narrator as they are both appreciating the architecture of the Antwerp train station, starting a decades-long friendship that seems to consist of them running into each other unexpectedly and then Austerlitz talking this guy’s ear oﬀ about his life for hours on end. But his story is fascinating.
After immigrating to England when he was 4, his adoptive parents never told him where he was from and, though he learned his real name as...more
I was drawn to this book based on its setting in 1970s New York City, speciﬁcally set around the day Philippe Petit made his World Trade Center tightrope walk; curiously the tightrope interludes in the book felt mostly unnecessary and distracting. The shorter sections that only have the tightrope connection to tie them with the rest of the book hence feel entirely disconnected.
Despite that, there remain several entwined stories that build well together through the book, even when voiced through less than sympathetic characters. McCann captured a range of experiences convincingly. It was a bit of a tough book as the ﬁrst section felt the most compelling and ended quite dramatically. It made it feel like the climax...more
There is some semantic debate whether this is a collection of stories involving the same characters or a multilinear novel, but either way you decide to categorize it, the book involves one network of characters over a long period of time. The beginning skips back and forth in the past until a certain point where it charges into the future — i. e., into the 2020s. Egan makes enough casual references to major events during the diﬀerent time periods to allow her to paint the future in the same cursory way, suggesting the ways the world has evolved without going into big details in order not to distract what has happened with the characters. The stories/chapters are also tied together through similar...more
I picked up All the King’s Horses as a break from this and found that a longer narrative really hit the spot. Afterward I decided to ﬁnish up the stories in the section I was reading here and come back to the rest of the collection later, only to discover somewhat disappointingly that there were just a handful until that next break. But I’m sticking to the plan.
Davis most notably writes a lot of short ﬁction, sometimes just a paragraph or even a sentence in length. Often her characters aren’t given names; sometimes the story will be from the perspective of a couple and the whole thing is written as “we” and “us,” and it’s not annoying. She...more