This book is the classic work dealing with the psychology of death. The ﬁve stages of grief were ﬁrst outlined here, though they are focused more on those dying then the people grieving after they are gone. Kübler-Ross interviewed terminally ill patients as part of an interdisciplinary seminar on death, as a means of understanding what happens when people have a lot of time to face their own deaths.
It would have been good for me to have read this book in 2003 when my mother was very sick and spent eight months in a hospital before dying, but it was only recommended to me recently. It would have felt inappropriate to have read it then in many ways, which...more
It’s probably time that I returned these photo books I took out from the library months ago. (There were a few others, but I didn’t spend too much time with them before I returned them.)
I’ve been admiring this full edition of the Cindy Sherman’s Untitled Film Stills for a while. Even if you are familiar with her work, this book is worth a browsing for her essay “The Making of Untitled,” which goes into the background of how she got into character building and her self-portrait techniques, as well as various anecdotes about the making of certain photos.
This collection of photos strikes me with...more
One of my favorite books as a kid was Jennifer and Josephine, and though I never read any other of Peet’s many children’s books, I considered him a favorite writer. I spotted this book at the library — an illustrated autobiography! His insight into the early years of the Disney animated features and Walt Disney’s personality are some of the best parts of the book. It is also inspiring how long he strived towards writing books for children until ﬁnally, slowly, ﬁguring it out. He obviously was a pretty down-to-earth guy with an ironic sense of humor and sentimentality, so it’s no wonder his books are still relevant today....more
This compilation of writings by Cartier-Bresson is pretty random and obviously written over a long period of time. But its brevity makes up for the lack of ﬂow. His opinions of photographic technique are interesting, sometimes useful and sometimes not. He was not a fan of color photography: As opposed to black, which has the most complex range, color, on the contrary, oﬀers only a fragmentary range. Though that was largely because of the state of color ﬁlm processing at the time of that writing, 1985. His philosophy of “The Camera as a Sketchbook” is certainly well received by the photobloggers of today, though who knows what he thought of digital photography. The writings on particular places his visited...more
I’m giving up on this book. I’ve been reading it since I ﬁnished A Wild Sheep Chase and going on a month, only halfway through—I just don’t see the point of forcing myself through it any longer.
This coming-of-age epic inspired a documentary ﬁlm by Mark Moskowitz, which I read about a few years ago. Since then I’ve been very intrigued, and when I ﬁrst saw the republished version in a bookstore several months ago, I’ve been wanting to delve into it. I watched (most of) the documentary this fall and got the book from the library shortly thereafter.
The novel is divided in three sections, representing distinct moments in Dawes Oldham Williams’s life—a not so subtle representation of “Dow”—who...more
The unnamed narrator is the youngest of three sisters. She has lived her entire life in the Hôtel Splendid . Her grandmother built it next to a swamp. Her sisters traveled the world with their mother. When the mother died, the sisters returned.
Groups of speculators, geographers, contractors, and eventually workers come through under a plan to build a railroad through the swamp. Up against the decaying hotel, the swamp that threatens to engulf it, and the sisters who don’t give her any help, the youngest perseveres through the ups and downs. There’s something enigmatic about her accounts though they are largely banal: the state of the plumbing and the health of her sisters are most common. Maybe it’s the short,...more
I was in the middle of the epic Stones of Summer when I went away last week — not about to bring a nearly 600 page hardcover tome with me, I instead started in on some of the books that have been calmly waiting for me to get through the Mossman book. I bought this one used several weeks ago because I liked the design (will try to get an image up later).
While looking for some information on Dan Rhodes, I found this long review, which is much more than I could write about this morning in my current jetlagged state. Also I can be lazy and refer to it, like saying that the parts I liked best were the Calvinoesque...more